Twilight
Dark-side is the beauty behind colors
Water drops
Friday, 30 September 2011
Thursday, 29 September 2011
Something Relevant
Not the best of lighting but definitely great timing...
Beach in Bombay...
"As long as I gaze on Waterloo sunset I am in Paradise" - The Kinks
Flying back home
Wondering what was in the plate before I ate it? :P
Apple Pie !!!
A great view ... A lake in the middle of a concrete jungle
Its smiling :)
Wednesday, 28 September 2011
The Life-saving F/16 Rule for Landscape Photographers
For a lot of us, landscape photography is one of our favourite past-times. Being out with nature doing the hobby you love, really is something we enjoy.
It can get a little frustrating if we’re not producing the standard of shots that we would like to however.
Luckily, there’s a quick and easy rule that can save your daytime landscapes (or any other daytime shot for that matter), at least in terms of exposure and light.
It’s called the f/16 Rule and is sometimes known as the Sunny 16 Rule.
It’s basically a way of ensuring a reasonable shot under sunny conditions without recourse to a light meter.
The basic rule states to shoot at an apperture of f/16 with a shutter speed of 1/125 when shooting on ISO 100 film.
Or f/16 with a shutter speed of 1/ISO setting (or as close as your camera settings will allow)
For example, let’s say you were shooting on 400 ISO film.
The formula would be f/16 and 1/400 speed.
With ISO 800, it would be f/16 and 1/800 speed.
7 Basic Things Every Photographer Should Know About Flash Photography
Shooting with a flash can be really intimidating if you are new to photography. As if all the variables within your camera weren’t enough to remember, throwing a flash in the mix has the potential to really screw up how you think about photography. Shooting with a flash shouldn’t be scary or overly-complicated but there are some basic skills that will help you get great results.
1. Flashes on camera’s don’t illuminate subject matter. OK, they do, but that’s now how they actually work. The way flashes work with cameras is the flash will throw light on your subject and the light that bounces back is what your camera records. The further your subject, the more powerful flash you need.
2. Every flash photograph is two exposures. The flash only fires once the shutter opens, during that time ambient light is also recorded. Because the flash is not effected by shutter speed, keeping the shutter open longer will not illuminate your subject any more; it will however cause more ambient light in and open up the possibilities to blurred photos. Flash photography is affected by ISO settings, the higher ISO the more effective your flash becomes at any given distance.
3. Flash illumination efficiency is dramatically affected by distance. At a certain point, your flash simply doesn’t have enough power to effectively illuminate and reflect light back to your camera. While you can adjust your ISO (digital shooters) and aperture to help compensate, you simply can’t expect your flash to work outside of its working range.
4. Maximum flash sync of 1/200th. All cameras with a shutter box in them, which excludes point and shoots, have a maximum shutter sync speed of 1/200th of a second, with a few exceptions of specific models. This is important to know when you are trying to utilize a specific shutter speed to stop action.
5. Understanding the Guide Number. The guide number for an electronic flash is a way of quantifying its maximum output in terms that a photographer can relate to – aperture and distance. The guide number (GN) is the product of the aperture (f/ stop) and distance (from flash to subject) combination that will result in enough light for proper exposure. Often times the price of a flash is in direct relationship to the guide number; the higher guide number the more illumination at a further distance it will have.
6. Bouncing the flash. Light will reflect and refract off of objects and often times a straight on flash will not give the desired results, especially when shooting people. You can soften the light from the flash by bouncing it, most commonly off a ceiling. Angle your flash head at 45 degrees or off a wall at 45 degrees for a side bounce. When there is no ceiling or wall to bounce off of, a modifier like an Omni-Bounce by Stofen can help diffuse the light and simulate a ceiling.
7. Get the flash off the camera. Moving the flash off the hot shoe by utilizing a flash bracket has two main advantages. When shooting people, moving the flash further away from the lens will near totally eliminate all chances of red-eye. Secondly, most all flash brackets have a pivot point in them, a hinge if you will. This allows them to rotate 90 degrees so the flash stays above the lens when shooting vertically, giving you a more pleasing shadow and voiding the side flash.
Shooting with a flash can be fun and rewarding, but understanding the basics of how they work and when to use them is essential. Like all other gear, reading the manual is the first step in learning how to use your flash best.
The House of Cards
Building card castles is a leisure time activity for many of us. Building a card castle isn’t easy. It requires a lot of patience, care and tactic.
The foundation or the base is of utmost importance. This is the factor that will result in the making or breaking of the castle.
The cards are then placed in two’s to form the first level.
Over this, the second set of foundation is laid. More care should be taken and the right pressure should be used to make sure the lower level is not affected.
Similarly the next level is added followed by another foundation on top for the level. And the process continues.
Several world records have been made by creating card castles of different shapes and sizes. What is extremely fascinating about card castles is that it looks very precarious, fragile and also seems like it might tumble down any second.
Tuesday, 27 September 2011
Monday, 26 September 2011
The Touch of Vision
An organisation aimed at making our society more accommodating towards people with disabilities- Samarthanam Trust for the Disabled has been operating in Bangalore since 1997. A visit to this place made me realise that my life is no different from the students there.
I got to witness a small but important part of this great organisation when I visited their centres at J P Nagar. They not only train the students in vocational skills but also aim at educating them, in order to make them independent. Often we are under the false impression that education may be a far-fetched option for people who are visually impaired and disabled, and the only way to empower them is by teaching them soft skills. Samarthanam Trust for the Disabled takes this a step further and prepares their students to face the world just like most of us.
(Visit www.samarthanam.org for details about the organisation)
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